Dynamite, the Nobel Prize, Vikings, Minecraft, the Pirate Bay, the Millennium Trilogy, Swedish meatballs, and of course, Swedish women. These are only a few elements that make Sweden awesome, music being the important one missing from this short list. Here are a few old tracks from Swedish producers that I’ve been avidly listening to these past few weeks:

Faithless ft. Cass Fox – Music Matters (Axwell Remix)

     Originally released on Sony BMG back in 2007, re-released alongside Rollo & Sister Bliss, Peter Heller and Mark Knight remixes on Toolroom in 2010. I have a soft spot for anything remotely Faithless.

Dada Life – We Meow, You Roar (Original Mix)

     Also from 2007, back when Dada Life wasn’t popular enough to occupy both faces of a vinyl. The A-side of this record is a Rob Mooney track with “We Meow, You Roar” taking the B-side. Sidenote: Dada Life recently announced their new studio album, “Rules of Dada.” Pre-order it here.

Carl B – Social Suicide (Original Mix)

     Profuse records gave life to this old-school big room trance track back in 2006, only Carl’s second release to date. This guy is quite inspiring to young producers, because he was able to break into the dance music scene without any prior music education whatsoever.

Axwell & Sebastian Ingrosso – Together (Original Mix)

     The first release on the now famous Axtone record label, Axwell and Ingrosso’s 2005 collaboration was and is an amazing one. It was subsequently featured on many house compilations, including the soundtrack/compilation to SHM’s documentary, “Take One.”

Eric Prydz – Slammin’ (Extended Mix)

     One of my favorite tracks of all-time is this Eric Prydz classic. Is came out on Feel the Rhythm in 2003 and it was one of the gems that propelled him into the house music spotlight. It still sounds amazing today. Sidenote: He recently did an edit of Adrian Lux’s “Teenage Crime” that I can’t get enough of.

     This Friday, Armin van Buuren and Jochen Miller play a sold-out show at New City Gas which continues into the early hours of Saturday morning, as Miller heads over to Circus Afterhours. On Saturday, you can catch Etienne Ozborne at Circus after you’ve gone to see Sultan & Ned Sheperd play at New City Gas. Sunday is a big one, as the Palais des Congres plays host to another installement of the annual Black & Blue festival. You can also go check out Felix Da Housecat at La Mouche on Sunday. A week later, on Saturday October 13th, it’s Tommy Trash’s turn to play New City Gas and Mr. Jean Louis spins another set at Circus Afterhours. Enjoy your weekend!

POST BY JUSTIN (yes, again. his computer is not working properly for some reason.)

If you live in Canada, you’ve surely heard about the death of New Democratic Party leader, Jack Layton. Good ol’ Jack valiantly fought the nasty cancerous cells which had been plaguing him since early 2010 and surrendered early in the morning of August 22nd. He will be remembered by many as the man who brought the NDP to prominence. However, for those of you who don’t exactly know who he is or are far too immature to care about politics, like me, he will be remembered for the glorious ferret he kept on his upper lip. RIP, Jack. Now back to the music.

Since the end of the Ibiza season crosses paths with the opening of the DJ Mag top 100 poll, lots of DJs/producers are hard-pressed to spit out new tracks and leave a lasting impression before the general public goes back to work/school. I’m relatively certain that’s what Alesso and Sebastian Ingrosso had in mind when collaborating on their new track, “Calling.” Set for release on Ingrosso’s Refune Records on August 31st, this Progressive House bomb perfectly melds the distinct styles of both the veteran and his young protégé. A beautiful loop of chopped up vocals gets the tune underway, flowing into the short breakdown and introducing the simple, yet catchy melody. Then comes a vital part of the tune, the bassline. It oscillates in and out of audible volume and slowly rises from low to high pitch. It somewhat resembles the cuts in Alesso’s remix of Pressure, making me think the loop comes from him. It adds a magnificent contrast to the lead synth and truly makes “Calling” what it is. The only drawback I have to this collaboration is the way the volume of the different layers is distributed. All previous previews of this track came from live performances with loud bass, completely overshadowing the bassline and diminishing my enjoyment. I’d have to hear it live myself to properly judge, but still a great song to have on your iPod.

Sebastian Ingrosso & Alesso – Calling (Original Mix)

Released on August 31st on Refune Records

In lieu of recent events, I find it hard to believe that computer software and an idiotic arsonist come before British producing partners when you search “Nero” on Google. The duo of Daniel Stephens and Joe Ray has got to be the hottest act in the Dubstep and Drum ‘N Bass worlds right now. With the emerging popularity of Nero’s collaborative remix with Skrillex of their own “Promises” and last week’s massive release of their debut artist album, “Welcome Reality,” it seems like the group has set a nearly insurmountable bar for any of the subgenres’ other artists. Their productions have reached the far corners of the EDM universe, turning Trance, House and Techno enthusiasts, as well as far too many critics, into huge fans. Needless to say, I’m a big supporter and their latest remix of Calvin Harris’ “Feel So Close” does nothing but strengthen my love for these two geniuses. In this reworking, they keep the vocals intact and precisely incorporate quick stabbing drum sounds that go great with the inevitable wobbles of Dubstep. To top it all off, the remix is outfitted with a brilliant, fast-paced melody that, combined with the lyrics, give the song a satirical feeling of sinister comfort. Give it a listen, there’s an open spot next to me on the Nero bandwagon.

Calvin Harris – Feel So Close (Nero Remix)

Released on August 22nd on Ultra Records

Beatport – iTunes

As if listening to their music wasn’t fun enough, Nero designed their very own Facebook-integrated arcade game, in which you can sample 6 tracks from “Welcome Reality.” Take control of Daniel, Joe or Alana (vocalist on most of their tracks, although not technically a part of the group) and go postal as street thugs attack from all sides. The more points you have, the more tracks you unlock. Play the game here or check out the whole album here.

Diplo’s history as a collaborator leaves little doubt that he is more than just your average DJ/producer. Unbeknownst to the majority of the public, the Philadelphia native is partly responsible for massive chart topping hits, such as M.I.A.’s “Paper Planes,” Beyonce’s “Rule The World (Girls),” Snoop Dogg and Kid Cudi’s “That Tree,” Chris Brown, Busta Rhymes and Lil Wayne’s “Look At Me Now” and an immeasurable quantity of other wildly popular tracks. His latest team effort, a Dubstep/Electronica track with Datsik and vocalist Kay, surpasses almost all of his previous work, as far as the dance floor is concerned. The track starts with a comical manipulation of Kay’s voice, making her sound like a husky rapper with throat cancer. This paves the way for the breakdown, which is characterized by scattered kick drums, a nagging wind sound, bits of vocals and an awkward melody, all building up to a veritable “calm before the storm” moment. Where Stoneface & Terminal succeed in Trance, Diplo and Datsik do in Dubstep; the drop is the offspring of Hurricane Katrina and Mount Vesuvius. It’s jumping off the Empire State Building and having God turn up the effects of gravity tenfold. The drop is so hard, it makes diamonds feel like sponge cake. Strong, heavy synths and Datsik’s signature “Transformers” sound crowd the meaty part as the title of the track, “Pick Your Poison,” is repeated amidst the bass-heavy and undeniably massive sound. This song is a must-have for all Dubstep fans and will surely be played for a long time.

Diplo & Datsik – Pick Your Poison (Original Mix)

Released on August 2nd on Mad Decent

Beatport – iTunes

It’s been over a year since the first Sound of Garuda album was released. The 2-disc compilation brought us tracks like Ben Gold’s “Sunstroke” and was also the platform for the original release of Gareth Emery’s incredible re-edit of “Lethal Stadium Four.” This time around, Garuda is going with a single-disc, 12 track compilation with all exclusive tunes. Taking tracks and artist from a multitude of labels, Emery seems to have chosen songs that best reflect and hone the Garuda sound, hence the name of the compilation series. The Sound of Garuda: Chapter 2 will feature exclusive tracks and mixes from Garuda veterans, such as M.I.K.E. and Mark Eteson, as well as newcomers Craig Connelly and Michael Jay Parker, Triarchy’s first original production and of course, two tracks from the leader of the label himself.

The Sound of Garuda: Chapter 2

Released on Garuda on September 5th

(If the soundcloud doesn’t work go HERE or HERE if the first option doesn’t work either)

Now a quick event update. If you won’t be going to New York for Electric Zoo or Toronto for Labour of Love, then its no sweat off your back. That’s right, Montreal finally decided to plan a few big events for labour day weekend. Fei-Fei gets the weekend started on Friday at Circus Afterhours, with a big chunk of that night’s proceeds going to the Canadian Breast Cancer Foundation. On Saturday, September 3rd, Sebastian Ingrosso makes an appearance at Metropolis for a solo show. If you leave as soon as it’s over, you might be able to scurry over to Circus in time for the start of John Digweed’s set. If you read this blog, you probably aren’t a Techno fan, but you still might want to get your ticket for the legendary Carl Cox at Stereo. Physically and musically, the man is a tank. He’ll have some tough competition with Umek, Arty and Tritonal all playing at Circus on the same night. My pick: Circus with the superstar trio. It’s half the price of Carl Cox’s show and features 3 artist instead of one. Have a great Labour Day weekend!